. Janine Rainforth …. the perfect non-singer, lightly gorgeous voice but no impulse to shake it around, just like it glide out…. Matthew Schnipper, The Fader

Original co-founder and front woman of post punk band Maximum Joy, Janine Rainforth returned to performing her music in public in 2014, after her music career was cut short in the 1980’s by assault and trauma. 

She now records and produces her music mainly from her home studio  in East London.

“Marrying digital technologies with found sounds and otherworldly vocals, she’s dabbling in ambient crescendos and synth-laden melodies to maximum effect.”  M Magazine

In 2015 Janine reformed Maximum Joy with some original players and some new for Simple Things Bristol 2015. She and the original drumer released a new MXMJOY album P.E.A.C.E.  in 2019 on London Field Recordings. They performed Dimensions 2018 and the inaugural We Out Here 2019.

Janine spoke to Vinyl Factory about MXMJoY and their new music

“(P.E.A.C.E.) feels like a celebration of togetherness ..sliding, airy vocals, lending a spooky quality to the tracks, like a ghost slipping in and out between worlds” Crack Magazine 7/10

 

 

 

 

 

“Rainforth’s new work comprises rich, blurry lullabies which flow sonorously through space, dripping searching keys over shuffling rhythms and, of course, Rainforth’s piercing but pining vocal. It’s a sweeping, ambient sound which recalls another strand of 80s alternative in the otherworldly ethereal wave of Liz Fraser’s work with This Mortal Coil, or even the contemporary avant-pop of Zola Jesus or Glasser. 

. Geraint Davies – Crack Magazine

    Bandcamp     Mixcloud

THEN

I formed Maximum Joy when I was 17- 18 years old. I was tunnel vision about forming a band – I’d always written and sang from an early age. When punk took off a couple of years before it blew my mind, the DIY ethos of it really spoke to me – we went on to form Maximum Joy. It was my life my focus, and to start with my dream come true.

”It’s singer Janine Rainforth that best embodies Maximum Joy’s exuberance: Having co-founded the group when she was just 18 years old, she channeled her inspiration…into her own shape-shifting style…she belts it out in the manner of her mentors, slicing into the midrange frequencies with a tone poised at the midway point between speech, screaming, and singing. Listen closely, though, and you’ll hear another side of her: a soft soprano background coo, diffuse as a pastel-colored mist.. It’s a quality you won’t find in any of their contemporaries.” Best reissue -Pitchfork – review of “I Can’t Stand It Here On Quiet Night” Sept 2

This picture of Janine Rainforth was taken when by her fellow photography student friend, Geraldine Ewer –  experimenting with the flash on their  cameras in a dark room. This picture went on to be used for the front cover for Maximum Joy’s first single – Stretch – below you can hear the track

Maximum Joy were doing well – in 1982 they toured Europe and the UK extensively; released 2 singles and an album; their first single Stretch was in the indie charts and had become an underground hit in New York clubs; they made 2 BBC radio sessions and were in the process of signing to a new label, they were going up a notch. Behind the scenes things weren’t going well though and during a tour in Europe Janine was raped and violently attacked by a band member   In March 2019 Janine spoke to the Guardian about what brought her music career to an end back in 1980’s  and how she’s come back to it nearly 40 years later.

ABOUT TIME

This is some words I wrote in my diary in November 1982.

It was written whilst on tour with Maximum Joy 1982, about an experience written about below – with someone from the band that eventually lead to me having no choice but to leave the band I’d started.

This and more will contribute to some writing I’m working on about my time as a young female musician in the 1980’s.

22 Nov 1982

Animal instinct

struggling without a word

the fight was helpless

noone ever heard

Animal behaviour

hovering like a bird

following crazy notion

straying from the herd

The word was spoken

The movement taken

the animal frozen

eyes wide open

The trap was set

Possessed and yet

Fear took hold

As eyes met

 This is written with love and with hope and gratitude.

The diary entry /poem above was written directly after I was raped and very nearly died during an extremely violent near fatal attack, whilst on tour with my band Maximum Joy. The incident happened within my close personal /professional circle at the time, the perpetrator was known to me as was to the others in the travelling group.
The attack was never called out or called rape by those around me, even though all knew and there was a lot of physical damage also that happened during the same incident to a hotel room by the perpetrator. The (at the time unconscious) effects the attack and the emotional abuse and coercive control that was a feature of this had on me, my naivety and youth, along with the attitude  and actions taken of those around me in my close professional circle and society as a whole at that time, meant it became and was something that was never spoken of.  And it very nearly happened again – from the same perpetrator. Its taken me decades to actually manage to call it out even privately without feeling utter shame or guilt that would shut that down – also due to the years of suppression and silence around it. The impact was immense, it changed my life immeasurably –  I lost my career, my band, my hope, my future.  It also soon bought the life of Maximum Joy at that time to an end. Even though at the time I started a new band as this was all I knew to do and where my heart and soul were, I found, despite trying, that I couldn’t perform or even really sing even in rehearsal or the studio – without completely freezing and shaking visibly. At the time I had no idea what was happening to my body or why – this was brand new, alien, I’d always had that natural youthful confidence – I’d not actually realised I was confident and naturally performed until this happened. This felt like my body was betraying me – it was crippling, so much so that in the end I had no choice but to retreat from my career and my passion. It’s only now that I’ve come to understand that this was due to what had happened, a direct impact of the violent attack and rape and the fall out from that.  With no understanding of what was causing this then though and no dialogue around this at all, it had devastating effects. Over 30 years later through a series of serendipitous moments and key people unwittingly giving invaluable encouragement I gradually found I might be able to sing or perform again in public. And the act of doing so has really seemed miraculous to me,  the consequences of the violent attack(s) and the related actions towards me from my then professional entourage around this, had led through my body’s unconscious reaction to the point where  I  truly believed that this was never going to be a possibility again.

I am writing a more detailed account of my years growing up  and forming a post punk band in Bristol.  But this feels necessary to write about now.

Thankfully I’m in an better position now, and I’m so grateful to the support from every single person  along the way who has and still does believe in the music, and who’s believed in me, who’ve loved Maximum Joy, who’ve asked questions of me just at the right moment, which led to being back in those places of making music  I loved, who helped plant the seed of hope again in me that it could be a possibility to sing and perform again like this. And all the people, who bother to listen and turn up to shows and partake in and support music making. Without you and these people and their support it wouldn’t have happened.  I still have to pinch myself, and am so grateful for the incredible serendipitous moments and the path that led to this second chance.

From what I know and have since learnt, from professionals who deal with trauma – when someone is raped or attacked positive recovery outcomes correlate directly with how much that person is able to talk and be supported after the incident.  Seeking help is not a sign of weakness, it’s a sign of strength.

Janine Rainforth with Maximum Joy - Vienna November 1982 - photo by Christian Vilimovsky
Janine Rainforth with Maximum Joy taken days before the event mentioned here - Vienna November 1982 - photo by Christian Vilimovsky

A not so silent girl… more to come watch this space

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